Just when it seemed Disney could not possibly sink any lower, the company has managed to produce its worst flop to date. The ultra-woke remake of the classic tale Snow White crashed spectacularly during its opening weekend, marking one of Disney's worst opening weekend box office performances ever. To add insult to injury, critics delivered merciless reviews. Publications ranging from *The Independent*, which described the film as "lazy, visually repellant," to *The Guardian*, which called it "exhaustingly awful," have made it abundantly clear that Disney has indeed trashed its reputation. Even the far-left *Huffington Post* chimed in, labeling it a "strange, hot mess." With an astonishing $350 million investment biting the dust, the film sits at an embarrassing 2.4 out of 10 on IMDb and a mere 44% on Rotten Tomatoes.
- Disney's *Snow White* remake marked one of the company's worst opening weekends.
- Critical reviews have been devastating, with terms like "visually repellant" and "awful" prevalent.
- The film's production has been plagued by controversy, including a drastic character redesign to conform to woke standards.
Adding to the film’s distress, one cinema in London reported having zero bookings on its opening night, illustrating an alarming trend of empty theaters across the United States and the UK.
This flop follows months of controversy surrounding the film, which began with The Daily Mail publishing set photos in July 2023 that revealed the traditional seven dwarves had been replaced by what producers termed "magical creatures" to avoid reinforcing “dwarf stereotypes.” The images quickly went viral, drawing immense ridicule online, akin to a satirical take by the Babylon Bee that depicted this iteration as *Snow Brown and the Multiethnic Portland Hipsters*, lamenting that someone at Disney deemed this a viable strategy.
Disney initially attempted to distance itself from the embarrassing images, falsely claiming they were fake. However, as investigations continued, the truth emerged: the photos were authentic. With its credibility already teetering, Disney finally admitted the photos depicted its disastrous production. The casting of the main character, who has been insufferable, only added fuel to the fire of discontent.
In hindsight, the *Snow White* remake serves as a poignant reminder of the consequences of pushing wokeness to its limits. It beckons to the hair bands of the late 80s and early 90s—processed, manufactured imitations that audiences were no longer willing to support. The film, completed during a time when Hollywood believed the Trump Revolution was over, has turned into a significant financial blunder, resulting in a $350 million disaster already in production.
As decades of cultural shifts occur, audiences are expressing a clear message: they are done with wokeness. Disney is facing a grim reality, finding itself at odds with consumer sentiment that firmly rejects a corporation seemingly hell-bent on offending traditional values. In a realm where art is meant to resonate with transcendent values, wokeness proves to be an unsustainable and brittle ideology tied to a fringe population. As demonstrated by the fiasco surrounding *Snow White*, the day of reckoning for Disney and its embrace of radical ideologies has indeed arrived.
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